Tuesday, February 19, 2013

Here's to the masquerade.


Blair Glaser is a consultant, therapist and leadership mentor helping people excel on the twin journeys of loving and leading.  I enjoyed reading her latest blog post titled "Leading from the Outside-In:  Masks, Costumes and Other Tools of Leadership and Love" detailing some of the ways that props and costumes can help us to open up.  Enjoy reading what she has to say at http://blairglaser.com/blog/outside-in-leadership-and-love/

I'm also pleased that she chose one of my masks to accompany her writing.  Thank you Blair.



Monday, March 19, 2012

Eurhythmy

A few mornings back, a small amount of thick, tacky glue dripped onto my left hand, quickly dried and became a bead of rubber. The more I tried to rub it off, the larger and more impossible it became to remove. Pulling at it, tightness filled my chest as I imagined it spreading over my entire body and enclosing/separating me from everything I knew. This pulling went on for awhile until suddenly, to my surprise, the bulbous growth smoothed out to a thin layer and I saw my wrist, hand and fingers, sheathed in a thin, blue, polymer glove. Surprised and relieved, I pulled the glove off easily only to find that underneath was yet another glove and so on. Alarmed, I frantically peeled off each layer as fast as I could until, hit with a rush of adrenaline, I awoke.

I had this dream the morning after creating Eurhythmy, a mask inspired by research I've been doing into the significance of magnetic fields in the functioning of life. I was led to the study of magnetism through an exploration that began with crop circles and wound its way through ancient mythologies, vortex mathematics, free energy, and the kitchen sink. Literally, the improving of water quality achieved through spiraling motion.

And what, you may wonder, does all this have to do with my latest mask Eurhythmy?

Eurhythmy is a word meaning harmonious structure or rhythmic movement. Using intuitive sense to follow my studies where they lead, an awakening is gradually taking place. I'm beginning to understand and see things that were always present but have remained, until now, beyond my grasp.

For instance, in creating wearable masks, I have always felt limited design-wise by the need to locate eye openings. I treated the eye-holes as the hub around which the entire mask revolved. Eurhythmy is an expression of me shedding this preconceived idea. There are no eye-holes to speak of but also, there is no lack of vision. Space exists where I thought there was none. It thrills me to discover my way around the contradiction. The pattern for this mask resembles a long exposure photograph of stars circling our Northern pole star. As life and work are one, symmetry is found between my studies and the direction a particular mask takes.

Eurhythmy (leather, glass seed beads) - side view 1

Eurhythmy (leather, glass seed beads) - side view 2

Eurhythmy (leather, glass seed beads)- front view

Friday, November 11, 2011

The Lord of Wild Things

I love the experience of allowing a new mask to morph into existence. I'm taken on a fantastic journey which begins with my willingness to let go of preconceived ideas. My latest began with a simple idea...the merging of two leather circles of the same size into one mask. This starting point was sparked by my recent interest in the sacred geometry of crop circles. A crop circle is a large pattern created by the flattening of a crop such as wheat or rye. Over the last couple of months I've looked, with great interest, at dozens of images and am absolutely awestruck by the extraordinary complexity and precision of these formations. At least as remarkable as their beauty and execution is their unknown origin.

To give you an idea of scale, here is a picture taken of a field in Wiltshire, England 2010.
Having heard about crop circles in the past, I was genuinely intrigued. Though back then my reaction resembled what I felt when I heard stories about UFO sightings...amazement tempered by not knowing what to make of the various theories ranging from natural phenomena and man-made hoaxes, to the paranormal. The fact that no one could say for sure how they were made, or by whom or what, had the effect of devaluing the lesson they had to teach me. That is until recently. Timing is such a funny thing. Part of the magic of crop circles is that their power can only be fully accessed through a shift in one's awareness. It's precisely within that shift that a deeper understanding of oneself emerges.

This mask, Cernunnos (The Lord of Wild Things), began, morphed, and came into being as the crop circles whispered to me, "Abandon your expectations, nothing is as it seems." Here's to the power of shifting dimensions.


















ps - click on the image for a larger view.

Friday, October 21, 2011

Let me tell you about JohnnyB...

A couple of years back JohnnyB asked me to make a mask for him. Not in the usual sense, JohnnyB wanted a mask dedicated to and called by his name. Somehow this request did not seem unusual coming from him. Though I don't know him well, he's the embodiment of dark whimsy and liking his boldness, I agreed with the condition that he must be patient. All of the masks in my collection arrive when they do and this would be no different. Since then he's asked me a couple of times about his mask and all I could offer was a somewhat bewildered apology wondering myself when would the time come. Recently, he wrote asking "Where is JohnnyB?" adding that if I needed a Muse he was available late, late at night over Gotham. With this he sent me a photograph of himself, white faced with a red heart and black spade painted one around each eye. He was winking and had his arm around a woman all dressed in polka dots. Well...sometimes I just need a little push! JohnnyB this mask is for you. It wears your name proudly and with great mischief is ready for whatever new adventure awaits. Gotham needs a hero with a face my friend. You're it.

Below is a left and right side view of JohnnyB. These images are of the same mask. JohnnyB is made up of two masks merged together and protruding forward creating the three dimensional shape of a spade. When not being worn this mask rests comfortably on a table top.

With minor alterations, I'll be adding JohnnyB to the Garden of Stories Collection (on my website) over the upcoming month.






Tuesday, May 17, 2011

Loving my new website.




















Seems it takes me about two years of ruminating to become fully aware of needed improvements to the navigation of my website. It's an organic process with lots of reflecting and waiting for the right design to suggest itself. Recently, through an acquaintance on Facebook, I discovered what's referred to as "one page" site design. When you visit my new website you'll understand right away what that means. It's so simple and easy to get around (scrolling up and down) that I couldn't resist using this model as a way of navigating.

For ease of viewing, I've divided the masks into six (formerly three) Collections. Within each Collection new masks have been sprinkled here and there. In the upcoming months, I'll be adding an additional video (see "Video" link) featuring my new studio/gallery in Phoenicia, NY.

Another new addition is my Newsletter. Here's a link if you'd like to sign up http://tiny.cc/rcig4 Though I don't do many mailings, I'm excited about finally being able to manage my email list effectively. I hope you'll stay connected but no hard feelings if you'd like to opt out, there's an unsubscribe link at the bottom of this note for that. For those who remain, thank you for being a part of my mask adventure. Rest assured that never, under any circumstances, will I share your name or email information with anyone.

I want to thank Jason Pepping for his incredible work creating this website and for always being patient in response to the hundreds of nitpicky emails he received from me requesting changes. Jason, you're a star!

I hope you enjoy visiting my site and please, please, please feel free to let me know if you experience any glitches getting around. I'll do what I can to improve things based on your experience.

Endless possibilities...http://www.wendydrolma.com

Warm regards, Wendy

Sunday, June 13, 2010

Studio Party

On Saturday, June 19th at 6pm, I invite all and sundry to join in the party at my mask studio and gallery in Phoenicia. Be social and come revel in the age-old art of putting your best face forward. Wine and music will light the way as we explore different personas from my collection of handcrafted leather masks. #8 on the Boardwalk.

Curses like chickens come home to roost

I'll make this intro brief because the letter I'm about to share is a bit daunting in length. Still, I hope you'll read it through as it's written by someone I hold very dear in my heart. Though I've never met him in person (he died the year after I was born), over the last 12 years I've read, over again, much of his published writings. His name was/is Sri Krishnaprem and the letter transcribed below was written by him, nearly 60 years ago, to his close friend, musician and spiritual seeker Dilip Kumar Roy, from a tiny ashram outside the small village of Almora, India. Prem, an Englishman by birth left for India, built an ashram at the foothills of the Himalayas and lived there with his guru Yashoda Mai for the last 40 years of his life.

Although the headlines and characters have changed and the name you call things might differ, I feel that the heart of what he's saying touches deep into the heart of what matters today.

Important note: I've read enough of what he's written to know that by "Krishna" he's not speaking of a little blue man.

---------------------------------------------------------------------------------------

Almora,
July 21, 1940

My Dear Dilip,

It was a great pleasure to have your long letter and poems after quite an age. How long it seems since we met at Allahabad! For my part I have not been out of this Ashram, not even as far as Almora town since then, but I have sometimes enjoyed your presence via a gramophone.

You ask what I think of the present state of the world. If I say it is an illusion, you will probably misunderstand me as is nearly always the case when that word is used. You will think I mean nothing at all which is certainly not my meaning. If I say that it is part of the Divine Lila, then the feeling that "it must be all right" will surely arise and, except in a somewhat ultimate sense, it is NOT all right. If I say it is the work of the Asuric powers, we are involved in a hard and fast dualism starring (as the films say) Hitler as the chief Asura. It is hard to know what to say without being liable to be misunderstood in some way or other.

To start with, the war that is raging is not the real war. It is the troubled wake of a ship that has gone on out of sight; it is the trail of slime behind a snail; it is the pathway of dead ash left by a forest fire or--as He says in the Gita--"By Me already have these men been slain." The ship, the snail, the forest fire--these have already gone on ahead in the inner worlds. Because we have eyes for nothing but material things we do not see them but see only the dead ash they have left behind. Therefore I say: it is illusion because it is not what we think it is. It is not that "coming events cast their shadows before"--but that inner realities throw their shadows behind and beneath and we--who live in those shadows--take them for realities. This war is not being fought nor will it be won or lost. It has been fought and won, though what that victory will taste like to us, poor fools, when we, wandering along in our trail of ash, catch up with it, is more than I can say. The victory of Krishna is certain, but if, as is usual, our hopes are set on falsities, that victory may be but dust and ashes in our mouths. This war is part of the Divine Lila. Is it therefore "all right--God's in heaven" sort of thing? The question should be: "all right for whom?" For those whose life is rooted in Reality it is "all right," but for those of us who cling to falsehood and mere outwardness it is not at all all right.

You are appalled at the bitter waves of overt suffering that are sweeping over huge areas of our world. Many people think that Hitler has caused it--were it not for him it would not be. That is quite false. It is we, we, we who have been piling up that sorrow. When we take a photograph the image is impressed upon the sensitive plate, but not till it has been treated with developers does that image appear. This suffering is the photograph upon our sensitive psyches. We exposed them (as the photographers say) to a false view of the world, and now that false view is being developed in hateful black and white. But it was not less there when not manifest to any eyes but those that see within.

Why should you be so surprised that, as you say, "the Asuric (Titanic) powers should succeed so signally" when we--men in general--have given them such lodging space in our hearts? Why does a cholera outbreak sweep a whole great city? Let us try and understand that without being put off by shallow modern half-truths about germs and such like. Let us see such a thing as it really is, yathabhutam, as the Buddhists say, and we shall understand this present outbreak.

These Hitlers and what nots are mere puppets worked by strings which neither they nor others see, great waves that dash upon our breakwaters to overwhelm them or to recoil in baffled fury. The force of Hitler is the force we have given him, we who project on others the devil that lurks within ourselves. He has risen on the wings of our hatred and fear just as, in dreams, monsters created by ourselves rush on us with our power. Remember the profound Puranic story of how when Brahma created the Rakshasas they rushed on him to devour him. Just so does a figure like Hitler, clothed in the projections of a whole world's secret wishes and fears, rush upon us. Like the Gadarene swine of the Gospel, he is the vehicle of all the devils we project from ourselves and in the end his fate will be that of those swine who "rushed down a steep place into the sea." For (and this I say subject to the limitations of my knowledge of him) he has or would appear to have accepted those projected devils and clasped them to him. No man is forced to accept such projections against his will. If he refuses them resolutely they cannot cling to him but return whence they came. Curses like chickens return home to roost. He, however, who accepts them, forthwith becomes their servant, gaining, like Marlowe's Faustus, powers for the time being, but ultimately being rent in pieces by the devils to whom he has given himself. This, unless my vision of him is quite wrong--and I have striven to judge with as much detachment as possible--is what will happen to him. An inner disruption, a tearing in pieces of his psyche, is certain, and, since inner events are reflected outside, it is even likely that that inner disruption will have its outer embodiment so that the pitiable man will perish miserably at the hands of the passions he has given himself to be the servant of.

It is just no use being appalled at what we now see. Things are not worse because they become manifest and these horrors were with us all the time. In the (sometimes) pleasant and fair life of peace in our great cities--East or West--these ghastly figures were standing at our elbows, lying under our feet unseen by most and yet there, as much there as they are now. I am not talking philosophy, but just fact.

You write that sometimes, when you were depressed lately, you felt like the Mayavadin that "this world is too beastly a place to be open to redemption." But this view is superficial. You start by taking this world as a thing in itself and then suppose that the Mayavadin condemns it or rejects and condemns it. But what the real Mayavadin means (and only he should count) by this world is nothing more than a wrong view of Reality and such a wrong view is undoubtedly beastly and must be rejected. Incidentally, don't imagine that by the word view I mean a mere mental view: I mean something much deeper than a creed held by that little corner of our being which we call our conscious mind.

(deleted paragraph here in which he trailed off into talk about England)

Let us not give way to the childish longing for a "miracle". Instead of longing for Divine intervention, like some people who long for American intervention, let us fight our own battle (those of us who are removed from physical fighting just as much and even more than those who are not) and we can be utterly confident that in proportion as we offer in our souls any foothold for the Divine values, to that extent the unconquerable Divine Power will manifest. Those of us who are removed from the overt conflict have a greater opportunity (and therefore a greater responsibility) for seeing things as they are and then of hastening the only thing that matters: the ultimate and inevitable triumph of the Divine.

In any case the really awful thing is not the WAR but the state of the world psyche (of which we are parts) which made that WAR occur as inevitably as a certain state of the physical body issues in a rash upon the skin. Do not blame the Asuric Powers as stupid people blame governments. Those Powers work in and through us for our being is much greater than appears and though our feet tread this dark earth, our heads are far beyond it and the Divine Sun and Moon themselves are our eyes.

It is time I stopped! Thanks again for your poems of which I particularly liked the translations from the Kavirpanthi and the Sufi.

Love always Dilip, and please don't publish this letter. Yours ever, Krishnaprem